Photography

Myles Loftin
A Caribbean Myth Retold

The photographer turns friendship, Dominican folklore and the myth of Ganymede into “AGUA È”, a photographic love story that leaves desire open to interpretation.

Bob Carlos Clarke – The Last Dolls
Everyone Is Sexy, No One Is Erotic

The raw, unadulterated chaos of the legendary Irish-British photographer returns to London’s Atlas Gallery to weaponise desire and violently pull us out of our comfort zone.

Camille Vivier at the MEP
Bodies That Refuse to Behave Like Images

The photographer’s first retrospective brings bodies, sculptures and uncanny objects into conversation at Paris’s MEP. There are only a few days left to see it.

David Uzochukwu
Beyond Borders

Through mythology, he reclaims violent histories. The photographer exhibiting in Memphis takes watery boundaries as a starting point.

Yolanda del Amo
Sobre vínculos, ficción y las tensiones de convivir

La fotógrafa habla de vínculos, ficción y convivencia a partir de “Archipiélago”, un libro que observa a sus personajes como islas dentro de una misma geografía.

New Woman, New Vision. Women Photographers of the Bauhaus
Emerging from the Shadows

Self-portraits, photograms, photojournalism and architecture reveal how Bauhaus women expanded the medium while fighting to receive credit for their work.

Tres libros para aprovechar las rebajas de Taschen
Maneras de entender el mundo

Tres miradas esenciales sobre la fotografía de moda: el universo femenino de Bettina Rheims, la masculinidad de Mario Testino y la cultura visual de Wolfgang Tillmans.

Maya Spangler
Instinct over Ideology

From imperfect beauty to disappearing American landscapes, she reflects on intuition, self-portraiture and building a group show outside the art world’s hierarchies.

Can Love Be a Photograph
Inez & Vinoodh in All Their Glory

Forty years of photography unfold across eighteen galleries, tracing how intimacy, beauty, identity and digital experimentation have shaped a singular visual language.

La otra mirada. Archivo Sybilla
Un imaginario compartido

Antes del scroll y los retoques digitales, Sybilla ya entendía la moda como un trabajo compartido: sus imágenes son la prueba de un imaginario que sigue muy vivo.